Stole this from oedipusrexrexrex (:

(Source: connotativewords)

I love that feeling you get when you don’t remember that you’re reading. When you’re so captured by a book that you forget you’re reading the words. All you see is the descriptions and conversations that begin to play out like a movie in your head. You don’t even think about it. Then before you know it, you’ve read 100 pages without realizing it. That’s probably the best feeling in the world. 

<3

(Source: leviosamortentia)

(Source: staypozitive)

She imagines him imagining her. This is her salvation.
In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?
— Margaret Atwood, The Blind Assassin

(Source: gildings)

First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.

Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.

It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved,even if this experience can cause him only pain.

—  Carson McCullers, The Ballad of the Sad Café and Other Stories

(Source: )

(Source: encephalopathy)

“Sugar Cane”

Baby ballerina’s
Hiding somewhere in the corner
Where the shadow wraps around her
And our torches cannot find her
She will stay there till the morning
Crawl behind us as we are yawning
And she will leave our game
To never be the same

So grow tall sugarcane
Eat that soil, drink the rain
But know they’ll chase you if you play their little games
So run, run fast sugarcane

You see my peep-show booth is handy
There’s a one-way-only mirror
So I can dance here with my hair down
But I don’t see if you get bitter
ANd there’s a button right beside me
If I happen to want a wall to hide me
If only the ballerina had one too

So grow tall sugarcane
Eat that soil, drink the rain
But know they’ll chase you if you play their little games
So run, run fast sugarcane
Yeah you better run, run fast sugarcane

And she said always be afraid
Yeah you should always be afraid…

To grow tall sugarcane
Eat that soil, drink the rain
But know they’ll chase you if you play their little game
So run, run fast sugarcane
You you better run, run fast sugarcane

Go after her. Fuck, don’t sit there and wait for her to call, go after her because that’s what you should do if you love someone, don’t wait for them to give you a sign cause it might never come, don’t let people happen to you, don’t let me happen to you, or her, she’s not a fucking television show or tornado. There are people I might have loved had they gotten on the airplane or run down the street after me or called me up drunk at four in the morning because they need to tell me right now and because they cannot regret this and I always thought I’d be the only one doing crazy things for people who would never give enough of a fuck to do it back or to act like idiots or be entirely vulnerable and honest and making someone fall in love with you is easy and flying 3000 miles on four days notice because you can’t just sit there and do nothing and breathe into telephones is not everyone’s idea of love but it is the way I can recognize it because that is what I do. Go scream it and be with her in meaningful ways because that is beautiful and that is generous and that is what loving someone is, that is raw and that is unguarded, and that is all that is worth anything, really.
— Harvey Milk (via vvolare)

(Source: cite-belle)